Rage And Reason (First edition publication date and location unknown. AK Press edition: 1998, San Francisco, CA)
Despite assurances from Ingrid Newkirk and Steven Seagal to the contrary, this book just isn’t all that good. Marketed as an animal rights revenge novel (complete with former Special Forces commandos skinning furriers) Rage and Reason was banned in some countries upon its initial release. The hype over these bans fueled great curiosity among those of us in North America who were having a difficult time obtaining a copy. In 1998 AK Press produced a new edition which immediately landed with a dull thud in the movement. We all bought and read R&R at the same time, and a few days later one could feel the collective disappointment.
I will not ruin the “surprise” for those of you have have yet to read the book, but… well, shit. Let’s just say that if you find yourself enjoying the story, brace yourself for the cop out coming in the final pages. Also: non-vegan protagonists in an animal liberation murder story? Yeah, they’ve got the dedication to risk life sentences for beheading CEO’s of agri-businesses, but they just can’t stop eating yogurt! Pfft!
The Mothercage (2004, Wolverhampton, England)
“Those who carry out direct action in the cause of animal liberation are,
indeed, doing something extraordinary, but they are not super-beings, just
ordinary people who care sufficiently to risk their own liberty in bringing
freedom to other creatures. But ordinary people have their differences,
their frailties, their loves and hates and their fears…”
Ronnie Lee, from the introduction.
Maire ni Bhradaig’s The Mothercage is a fictional portrayal of an Animal Liberation Front raid. Originally published in England, it was never widely available outside of Europe. Although it is written for young adults, the characters are complex enough to hold the interest of older readers. The author’s knowledge of militant AR culture makes the story a realistic representation of how activists might interact, and unlike Rage and Reason and Animal Rites, there are no former green berets running around with machine guns.
The strength of this book is Bhradaig’s willingness to present the people behind the mask as plainly, painfully human. Outside of Paul Chadwick’s Concrete: Think Like A Mountain you will not find a more accurate portrayal of a group of radicals. While some of the book’s cast are wonderful people, others are bigots, adventurists, or cowards hiding their flaws behind a balaclava.
The grassroots animal and wilderness liberation movements indulge in far too much hero worship, a tendency that has led us to embrace some very shady characters over the years- characters who often harm our credibility in the long term. The Mothercage serves as a reminder that the masked figures we so admire are not always so admirable, and more importantly, that improving ourselves increases our effectiveness as activists.