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  Breaking Free Video Magazine #1

  10.27.11 | Permalink | Comments Off on Breaking Free Video Magazine #1

  Breaking Free Video Magazine #1 (1998, Eugene, OR)

  Back in 1997 I was kicked out of the Liberation Collective house in Portland and moved back to my home town of Eugene. Portland was a great place for activism in those days, but Eugene didn’t have much going on… yet. So, me and an old friend decided to start an Animal Defense League chapter. Right from the start we had a tough time getting people in the streets, but we had another idea…

  I grew up skateboarding, and one of the most fascinating things about that art form is how coverage of skateboarding ultimately progresses the art of skateboarding. Every time a new skate video came out kids all over the world would see new possibilities, would feel the fire lit beneath them to try new tricks, and would find courage to do so because they had just seen other people do it right in front of them. They would film their tricks, and then the whole process would happen again and again, with each new video being more impressive than the one that preceded it. My buddy had just bought a top of the line video editing setup- A pentium II with a 9 gig drive, an SVS deck, and a copy of Premiere 3.2 with a $3,000 analog video capture card. Maybe we could do for activism what skate videos did for skateboarding.

  The world of non-human liberation movements was fast paced and loaded with action back then. I knew that someone needed to document everything going on, but I couldn’t afford to travel and film it all. Most AR groups had a cheap camera though, so I put out the word that we wanted to get everyone’s footage for a video, and slowly the tapes started to trickle in. We learned how to edit through trial and error, and after several months of frustration in front of the computer, Breaking Free #1 was available.

  The video is not perfect in any way, and there is a lot about it that embarrasses me. Still, there was nothing else quite like it at the time. Sales were high, it was translated into German and Spanish, bootleg copies were everywhere, and even mainstream publications like Animals Agenda were praising us. While I cringe at the mispronunciation of “Nietzsche,” the bad joke of an opening, and yes, the techno music, (Sorry, Mr. K!) I feel pride that we created such an accurate picture of the state of the movement, and insured that so many acts of anger, disobedience, and compassion were not forgotten. Please watch it with critical, but forgiving eyes.

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